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UNFERTILE

by Cryptic Ruse

supported by
Thomas Gelfer
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Thomas Gelfer Heavy, ominous, beautiful and strange. I'm so happy that Igliashon and Ben Spees have joined forces yet again on this album, they always seem to bring the best out in each other. Microtonal post-metal at it's finest. Favorite track: Cloth Mother, Wire Mother.
Stephen Weigel
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Stephen Weigel Deep bass distortion and cyclic chord progressions layer in variations that continually add surprise. Spees' vocals cut through the din like flint, floating, unleashing those cathartic goosebumps that can only be truly loosened by that which is xenharmonic, exciting, mysterious, intense, and raw. Favorite track: Cloth Mother, Wire Mother.
Brendan Byrnes
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Brendan Byrnes This album is so intense. Igliashon Jones masterfully uses 23 EDO here, a very under explored tuning, pulling the listener through dark and beautiful musical terrain. Ben Spees vocals are the perfect counterpoint to the mind bending guitar riffs and textures. Highly recommended
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Rudra 06:20
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To consume the day start with the jaw unhinge and set aside you won't need it anymore continue with the tongue but first sand off all the bumps then always with the teeth every time just scraping by Then the lip service Serves its one purpose For the sub-surface Feed the face furnace Next time if there is a next time Next time if there is another next time Build up your defenses four Build up your defenses three Build up your defenses two What you swallow, never chewed ingest in order to exist exist in order to excrete excrete in order to ingest nothing greater nothing less eat all the dots, eat all the dots, run eat all the dots, eat all the dots, eat all the dots, run eat all the dots, eat all the dots, run eat all the dots, eat all the dots, eat all the dots, run eat all the dots, eat all the dots, run eat all the dots, eat all the fucking dots, eat all the fucking dots run your mouth, and then spill it out again ingest in order to exist exist in order to excrete excrete in order to ingest nothing greater nothing less to consume the soul fill the holy water basin plunge the face in to consume the self clench the hand feed the fist into the mouth eat all the dots, eat all the dots...
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Locked Locked to the loom What are the shapes we're woven into? And by who? Hook over loop, over loop. Hook over loop, over loop. Hand over hook over hook hand. Hand over hook over loop. What are the shapes we're woven into? And by who? Hook hand. Hand over hook. Hook over loop. Hook over loop, over loop. See where it took you? See where it took you? Cloth mother Wire mother Stretch taut the canvas My flesh to your masterpiece Hook over loop, hook over loop. Mother, mother. Feed one, slaughter the other, too. Feed one, slaughter the other one. To feed one, slaughter the other. Stretch taut the canvas My flesh to your masterpiece Grip tight the scalpel What will the muse release? Stretch taut the canvas My flesh to your...
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Get credit Take credit due Bent knee always assumed Skim the cream for you It's all that's called for It's all you want for Take credit for existence Turn on your brother, burn your brother Turn on your brother, burn your brother Turn on your brother, burn your brother Finish one, take another It's all that's called for It's all you want for Take credit for Betray your own kind Chew through that honeycombed hive mind Seems that it all can be traced to the source Can't alter the course it's set at the factory Programmed to think it's the right thing but who did the programming? Forces we barely can perceive Realign Reassign Realign (reassign) Reassign (redefine) Seems that it all can be traced to the source Toxin can be traced to the well Poisoned the ground where my father's body fell And I'm left clutching its last stem cell Betray Betray Betray We are not they A man takes advantage. A man takes advantage. A man. A man.
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about

A bleak and expansive math/doom metal meditation on isolation, consumption, and environmental devastation. Performed entirely in 23 equal divisions of the octave. Mostly instrumental, but tracks 4, 8, and 12 feature vocals by Ben Spees of The Mercury Tree.

credits

released April 13, 2020

Igliashon Jones - all instruments, instrumental recording/mixing, mastering, artwork
Ben Spees - all vocals, lyrics, and vocal recording/mixing

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all rights reserved

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about

Cryptic Ruse Portland, Oregon

Cryptic Ruse is the one-person experimental metal project of nonbinary transfem microtonalist Deja Igliashon.

Each album emphasizes a different constellation of influences, ranging from doom metal sludge to mathy progressive metal. A wide variety of microtonal tunings are employed on every album but Sierpinski's Casket, which is all in 12-tone equal temperament.
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